Cool little thing that will maintain your portable system’s audiophile grade. At $135, it’s not going to break your bank.
Microshar makes one sick little headphone amp. It’s simple, inconspicuous and unobtrusive,
and its function is probably most appreciated in a portable setup. The uAMP107B and your iPod can both easily
fit into your pocket or fanny pack.
The battery on the uAMP107B lasts for about 230 hours when
fully charged. This is a week and a half
straight! You could listen to the entire
Zappa catalogue on one charge. The
charger looks like a computer mouse and fully charges the unit in about four
hours. There is a small blue LED that
indicates the battery’s level by how bright it is.
One great feature of the uAMP107B is automatic
power-up. Similar to a guitar pedal, the
unit will not power up until both input and output jacks are plugged in.
The input and output jacks are standard eighth-inch. The input is flexible and can handle
virtually any audio signal from any source (iPods, CD players, etc.).
The Microshar uAMP107B is powerful enough to run 8 Ohm
speakers. This is great and all, but be
careful when you have headphones on, especially if the unit is placed in your
pocket. The loudness knob can easily be
turned to a high level and accidentally send you a dangerously loud signal
(dangerous for your headphones and your ears).
For units that fit into bags or pockets, I’d like to see a way to lock
the volume. At the very least, it’d be
great if this unit had a gain control to limit the signal.
So how does it sound?
Nice… I like! It’s crystal
clear. I’m pumping a digital signal from
an iMod (modified iPod) into the unit, and it’s driving Sennheiser HD650 headphones. With the loudness knob set in the middle (at
12 o’clock), the Microshar uAMP107B delivers a detailed, intelligible
signal. It doesn’t distort the phones
until about the 2 o’clock position (don’t do that, by the way).
For the past few hours, I’ve been listening to the
Exodus album through the amp
(particularly to the vocal treatments on Marley’s voice). When you can hear specific production
qualities of the music, you know you have quality gear.